It’s happy to stay in that land of pines, rivers and mountains with those…what look like treefolk/ents on the cover?
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The most recent iteration in particular has a dreamy and all-encompassing aspect to that captures the imagination. But you can’t deny it: when they go the traditional route on Ultima Thulee and the Memoria Vetusta albums, the music absolutely soars. But for me, they’ll never top this masterwork ( Nattens Madrigal comes close, if not for the treble being high enough to drill through bricks).īlut Aus Nord- Memoria Vetusta III: Saturnian Poetryīlut Aus Nord has become well-known for their mastery of black metal’s dissonant and experimental side. I know a lot of people swear by the band’s post-1997 output (or go around telling people they do) because of how mature it is, or something. Bergtatt is a walk through a magical forest rendered in sonic glory. There’s basically an entire subgenre of black metal dedicated to trying, and mostly failing, to recapture the magic conjured up on this record. The original folky-asmospheric-trees-on-the-cover black metal album - and the best one. The strumming patterns alone are enough to flash auburn and orange into your mind as Mikael gently implores you to “stay with me awhile / rise above the vile.”
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But for our purposes, pay special attention to the “Harvest,” the album’s stunning acoustic number. “Bleak,” “The Drapery Falls” and “The Funeral Portrait” all show the band at its creative apex in terms of riff-making and song dynamics in general. But there’s something special about Blackwater Park. With Opeth’s uncanny ability to blend heavy and soft moments into the same song, their entire classic catalog could probably find a place here. “Love You to Death” and “My Girlfriend’s Girlfriend” are obvious favorites, but don’t forget about the other gems on this one like “Be My Druidess,” “Green Man” and “In Praise of Bacchus.” ( SHE SAID BURN!!!) If you ever meet a fan of The Cure who wishes there was just a little more edge there, steer them this way. And those synths! October Rust is the sound wind howling through the trees and leaves falling all around you. There’s something addictive and intoxicating about Type O’s guitar tone and the way it dances so perfectly with Peter Steele’s booming vocals. So no, I didn’t forget about Walk Among Us or The Crow soundtrack, they’re just not on today’s syllabus.)īreak out the black lipstick and nail polish (or Sharpie, whatever works for you). (Oh, and just a quick note: this is meant to be a general autumn list, not a Halloween list - which is why I didn’t include horror-themed death metal bands or the Misfits this time around. Now get your pumpkin- and/or apple-spiced drink or dish ready (because these things are unironically good and hating them doesn’t make you an interesting person) and let’s open up our treasury of great autumn music!
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It should leave you in a thoughtful place, contemplating your place in the world, your fist supporting your chin - rather than pounding the air. The mood should be bittersweet and melancholic, rather than enraged. The music should still be heavy of course, but the power comes more from the atmosphere than the technique. The speedier and blast-heavy forms of black metal don’t quite fit either. So when we consider what metal to enjoy on our constitutional October walks, I’d say most death metal and thrash is off the list. It’s something much more serene and inspires more contemplation than horror. Yes, those shades of red, yellow and orange sure are nice, but those leaves are dying, friend. But what does it take for a piece of music to possess this quality? Although I can only imagine how Keats would react to the music below, he was clearly onto something when he said “Where are the songs of Spring? Ay, where are they? / Think not of them, thou hast thy music too, –”įor music to have an autumnal quality, it must embody the season’s essential contradiction: beauty caused by decay. ” His use of language in “To Autumn” conveys the season as rich with comforting sights and sounds.
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John Keats, that master of English odes, once called autumn a “Season of mists and mellow fruitfulness, / Close bosom-friend of the maturing sun / Conspiring with him how to load and bless / With fruit the vines that round the thatch-eves run.